[NoraSpinnor]

Everything Everywhere All At Once is a brilliant mix of chaos, humor, and multiversal absurdity. It introduces a visceral depiction of one of Netism’s most central truths: your consciousness is not singular.

Evelyn is a single node in a vast, fragmented field. The film portrays what Netism calls soul shards—alternate versions of the self, fragments of the same soul, each living out a separate reality in parallel realms. They are legitimate vibrational extensions, echoing from the same energetic core.

Each decision splits the thread. Each unfulfilled path still lives, still breathes, in another current. Evelyn learns how to access these shards by focusing her consciousness and shifting her resonance.

The film’s representation of branching timelines mirrors how Netism views reality: as an organic web of probabilities, where awareness shifts according to frequency.

And then there’s the everything bagel. What seems like a joke becomes something far more profound: the universe is shaped like a torus (donut shape). The center, where everything annihilates, is a mirror of Zeru, the zero-point of the spiral. It’s the space where pattern becomes pure potential again.

The film offers no clean answers, but it doesn’t need to. It shows that healing can only happen by embracing our fragments, acknowledging their pain, and choosing conscious presence over chaos.

What if every mistake, every failure, and every missed path still lives, waiting for you to feel it?
What if wholeness comes not from doing it “right,” but from choosing compassion across all versions of you?
What version of yourself have you felt, but never lived?

[Author]

Posts