The road to ascension is never a straight path.
In Netism, a labyrinth is a mirror of the Net. You enter with a question, and walk a living thread through turns that fold back on themselves. Each bend brings new information, not all of it useful, some essential. Each return move shows a new angle on the same center. Throughout this maze, we learn to embody all aspects, willingly or not.
The story of Theseus gives a clear image of inner work. The maze holds a creature that feeds on fear and confusion. Ariadne offers a thread, a simple line of connection, that Theseus can follow. Through a Netist lens, the Minotaur is any old knot that guards a door. Rage, shame, control, or the fear of being seen can play this role. To make it out of the maze alive, we have to face our fear.
The Chartres labyrinth operationalizes myth as a structured walking protocol. Its design uses eleven concentric circuits set into the nave floor. Participants traverse a single, non-branching path, which removes route selection and frees attention for controlled breathing and proprioceptive monitoring. As cadence stabilizes, respiration and heart activity often regularize, and attention spans both internal sensation and external spatial cues as one continuous workspace. The center functions as a pause point for state change. Returning along the same path rehearses state maintenance during reversal and re-entry.
Spirals are found in ancient art worldwide, usually as a symbol for cycles or energy. In practical terms, a spiral externalizes approach, contact, and return. Examples include Neolithic triple spirals in Atlantic Europe, double spirals in Aegean motifs, desert geoglyph spirals in the Andes, petroglyph spirals in the American Southwest, and the koru motif in Polynesia. The form recurs because it maps a stable sequence that the body and mind can rehearse.
Labyrinths teach patience. We don’t know how to get out, we just have to keep trying. This is a metaphor for our journey through the cycle of life and death. Each life offers a divergence from the center. Some are more beneficial than others, but all must be entered until we find the way out.
Where do you notice the symbolism of labyrinths?
What do labyrinths mean to you?