We often place great importance on popularity, especially in today’s world.
Yet many of the most profound works we now celebrate were overlooked in their time.
Fyodor Dostoevsky, the author of Crime and Punishment, never experienced true success during his life. Still, he believed his words would matter one day. Today, he stands as one of the most influential authors in philosophical literature.
Van Gogh sold only one painting while alive. Now his works—Starry Night, Sunflowers, The Bedroom—are among the most iconic and cherished paintings in history.
Nikola Tesla was seen as eccentric, even delusional, by many of his contemporaries. He died with little to his name, financially. Yet today, we recognize him as one of the great visionaries of electrical theory, far ahead of his time; his ideas still outpacing many modern minds.
So what does this say about the unnoticed works of today?
Why do we celebrate surface popularity more than timeless depth?
And how much potential is lost when we dismiss what isn’t trending?
“You know, most of the most famous paintings we know today only became famous after the artist died. … The painter could have wallowed in despair when his first few paintings were ignored. He could have given up or changed the way he painted. But if he had, we wouldn’t call it art. Art doesn’t need to be recognized. It’s an expression of the soul in the most vulnerable way.”
(The Young Man and the Sage)